CAMELOT Logo

Blog Archives

02/01/2004 - 03/01/2004 03/01/2004 - 04/01/2004 04/01/2004 - 05/01/2004 05/01/2004 - 06/01/2004 06/01/2004 - 07/01/2004 07/01/2004 - 08/01/2004 09/01/2004 - 10/01/2004 10/01/2004 - 11/01/2004 11/01/2004 - 12/01/2004 12/01/2004 - 01/01/2005 01/01/2005 - 02/01/2005 02/01/2005 - 03/01/2005 03/01/2005 - 04/01/2005 04/01/2005 - 05/01/2005 05/01/2005 - 06/01/2005 06/01/2005 - 07/01/2005 07/01/2005 - 08/01/2005 08/01/2005 - 09/01/2005 09/01/2005 - 10/01/2005 10/01/2005 - 11/01/2005 11/01/2005 - 12/01/2005 01/01/2006 - 02/01/2006 02/01/2006 - 03/01/2006 05/01/2006 - 06/01/2006 06/01/2006 - 07/01/2006 08/01/2006 - 09/01/2006 09/01/2006 - 10/01/2006 12/01/2006 - 01/01/2007 08/01/2007 - 09/01/2007 09/01/2007 - 10/01/2007 10/01/2007 - 11/01/2007 11/01/2007 - 12/01/2007 01/01/2008 - 02/01/2008 02/01/2008 - 03/01/2008 03/01/2008 - 04/01/2008 04/01/2008 - 05/01/2008 12/01/2008 - 01/01/2009 02/01/2009 - 03/01/2009

Links
Email Camelot
Theatre Effects
Stagecraft FAQ
Magic Magazine
Balloon HQ
History of Lighting
Sapsis Rigging and netHEADS
United States Institute for Theatre Technology, Inc.
Entertainment Services & Technology Association Blog Search Engine


This page is powered by Blogger.

Tuesday, March 09, 2004

Just when I became bored with motion-picture special effects...

...along comes an ad agency like Submedia with a concept that is so elegant in its simplicity that it makes me wish that I lived in Manhattan and could ride this subway every day. You'll need Quicktime or Windows Media Player to view the videos, and a broadband connection is nice, then check out the Dasani ad that's wowing New Yorkers. You might even get thirsty.

Sequential stationary images, but the audience is in motion. That's brilliant! Of course, the Italians have their own version, MotionPoster, but their technology is nowhere near as elegant as Submedia's which uses fundamentally no technology at all!



Camelot Theatrical Special Effects at Blogged